On any day, if I take an auto from home to office, the near 8 k.m. journey would cost me 65 rupees on an average. In theory though, I would have required to pay only 7/- per k.m and should ideally be 56/-. But, coming to the world of autos, auto-drivers and auto-meters in Bangalore, things would be "normal" only when you are quite lucky.
The last 2 days had forced me to catch an auto during the terribly traffic-y peak morning hours. To my surprise, on both days(yesterday and today) I paid a miserly sum(it's the actual rate btw) of 53 and 54 rupees. Considering that I have hit 90 rupees on some occasions for the same distance on high-speed,super-speeding autoed-meters, this was a revelation!
The moment I get inside an auto in bangalore, I can't help but start staring at the meter. I roughly know when the meter should start ticking from the "minimum charge" of 14/-. The meter should starting inching up and above when I cross the Airtel showroom on 100Ft. Road, Indiranagar. Yesterday was quite a surprise. The meter remained still even at that point. I readied myself to tell the auto driver that the meter might not be working(Sometimes I am tooo generous!) I had reached the start of the Domlur flyover. That's when it happened. I saw the transition to 14.50/-. "Good god! This fellow should have the best, untinkered, untampered meter in the whole of bangalore.He is the best auto-fella."
What followed was an on-the-dot inspection of critical milestones at which I know what rate to expect. The flyover loop exit, Cambridge-Airport road Signal and two other "strategic" points. Sharp the meter was!It was always 2 or 3 rupees below the actual rate.
A cheating meter and the driver would definitely be greeted with a sulking countenance. I was wondering if this fellow should be congratulated for maintaining a "legal" meter and charging me the exact amount that I am supposed to give.
Getting down,I realized I am always ready to give a mouthful when someone cheats but should I commend this fellow just for doing his job right which is the minimum quality that I should expect from him?
I paid the exact amount with the change and walked...
Thursday, April 30, 2009
Wednesday, April 22, 2009
I opined
Following are links on "The Hindu", where I voice out my personal(or popular??) opinions
http://www.hinduonnet.com/2008/06/06/stories/2008060654470802.htm
http://www.thehindu.com/2009/04/22/stories/2009042254740801.htm
http://www.thehindu.com/2008/10/02/stories/2008100255731003.htm
http://www.hinduonnet.com/2008/06/06/stories/2008060654470802.htm
http://www.thehindu.com/2009/04/22/stories/2009042254740801.htm
http://www.thehindu.com/2008/10/02/stories/2008100255731003.htm
Saturday, March 21, 2009
FRIENDS maniac
Last week I completed 10 rounds of 10 seasons of FRIENDS. Quite a landmark achievement! Roughly calculating the total time spent considering 21 minutes of each episode and 24 episodes in a season,
10 * 10 * 24 * 21 = 50400 minutes or 840 hours or 35 days.
The staggering figure is over a 3 year period since Jan 2006. It was my 3-2 at BITS. I was averse to sitcoms before this. Even now, any other series doesn't elicit the same amount of enthusiasm as FRIENDS does. Getting used to the new characters is awkward having been accustomed to the 'Sooper Six' and I tend to draw out comparisons between the characters which is quite unfair on my part.
After ending each round, I would tell myself to stop this addictive behaviour, the results of which have been devastating since the "break time" between successive rounds has only kept decreasing till now.
So, why this craze?
One thing is for sure - Easy access. I secured all 10 seasons while I was in BITS. So no need to hunt for them now. Youtube does have it but in bits and pieces which is quite a mood killer when you want to watch a sitcom.
Useless TV programs - Entertainment on TV has become horrendous oflate. Nothing more terrible than poor 'Dada' forcing to judge dancing girls to cheerlead his team. What a waste of intelligence, time and money! And our NEWS channels continue to make an overkill of whatever story they are able to get.
Small pockets of entertainment with a good dose of meaningful humour served by FRIENDS is a major highlight. Moreover, watching a series just once doesn't give you the exposure to appreciate all the jokes. This is quite true as every time I watch the repeated episodes I happen to listen to a new joke that I haven't understood or missed before.
So, gearing for the eleventh round? Of course!
10 * 10 * 24 * 21 = 50400 minutes or 840 hours or 35 days.
The staggering figure is over a 3 year period since Jan 2006. It was my 3-2 at BITS. I was averse to sitcoms before this. Even now, any other series doesn't elicit the same amount of enthusiasm as FRIENDS does. Getting used to the new characters is awkward having been accustomed to the 'Sooper Six' and I tend to draw out comparisons between the characters which is quite unfair on my part.
After ending each round, I would tell myself to stop this addictive behaviour, the results of which have been devastating since the "break time" between successive rounds has only kept decreasing till now.
So, why this craze?
One thing is for sure - Easy access. I secured all 10 seasons while I was in BITS. So no need to hunt for them now. Youtube does have it but in bits and pieces which is quite a mood killer when you want to watch a sitcom.
Useless TV programs - Entertainment on TV has become horrendous oflate. Nothing more terrible than poor 'Dada' forcing to judge dancing girls to cheerlead his team. What a waste of intelligence, time and money! And our NEWS channels continue to make an overkill of whatever story they are able to get.
Small pockets of entertainment with a good dose of meaningful humour served by FRIENDS is a major highlight. Moreover, watching a series just once doesn't give you the exposure to appreciate all the jokes. This is quite true as every time I watch the repeated episodes I happen to listen to a new joke that I haven't understood or missed before.
So, gearing for the eleventh round? Of course!
Monday, February 16, 2009
The Curious Case of the Melting Ghee
The traffic overwhelms...
The signals perpetuate...
The mind wanders...
Thoughts, in thousands, surge across as the multiple gruelling waits for the GREEN leave me rattled. With nothing to do but wait, I find myself cogitating on the worthless but interesting topics :-)
This was conceived at the Airport-Victoria Rd signal today, a lengthy one at that.
The curious case of the Ghee being served melted
Yesterday at a typical South Indian restaurant, where I was having lunch, ghee was offered for the paruppu saadham. I took it. It was the melted, flowing version of the ghee.
"This is not ghee", I thought to myself. The viscosity was simply not there. It flowed like water or oil. I have been a NeiPriyan throughout, not so much for the sweets, but with food - YES, especially rice! Ghee is one of the most inviting savouries that has been discovered that can add intense flavour to the charismatic white rice.
Ghee is to be preserved in its semi-solid state for serving with rice. The definition of semi-solid needs clarification. Typically, it's the state between the fridge-frozen to the free flowing summer version. At room temperature, during summer, the consistency is ideal. While the frigid version is good to heat on a cheenchatti/vaanali to make a pongal or a payasam, it's no good to be served with steaming rice. The point being, it kills the mood to have to wait for it to melt and mix with the rice. Analogous to this is the case of trying to splosh frigid butter on the mildly toasted bread slice. On a hurried morning trying to gobble whatever you get at hand, when the butter refuses to co-operate, the frustration only compounds. There is no time to heat. Bad still, you don't like the taste of it when heated because it cooks into a ghee-ish taste. Alas! Only if I had decided early morning that bread-butter-jam was going to stave off my fast that morning and having finalised it, I had kept the butter out for it to cool down outside the fridge(oxymoronic?)
But things don't work out the way especially during its-getting-late mornings. Coming out of the analogy, the most relishing way to begin the lunch course, is
Plain steamed rice + Ghee (semi-solid, ablity to melt on rice) + boiled paruppu.
It should be mentioned that the viscosity of nei matters much here because, after this serving what follows is the ritual of cupping the palm and receiving the ghee and lickin' away. And that's not possible with the free flowing version.
The ideally ghee suited, to be mixed with items are
1. Sambhar - For arachu vutta sambhar, it adds to the already smoking hot manam & gunam. For podi potta sambhar, its ability to elevate the taste reaches the pinnacle. But for the ghee with it, I would have disliked podi pota sambhar to the core.
2. Rasam - The combination is good not great.
3. Morkootan and Vethakozhambu - Average to medium
For some reason though, ghee doesn't go well with Molagootal that makes me wonder why so....
Wooh! Too much for this signal now. I continued towards Richmond with another interesting topic in the pipeline.......
The signals perpetuate...
The mind wanders...
Thoughts, in thousands, surge across as the multiple gruelling waits for the GREEN leave me rattled. With nothing to do but wait, I find myself cogitating on the worthless but interesting topics :-)
This was conceived at the Airport-Victoria Rd signal today, a lengthy one at that.
The curious case of the Ghee being served melted
Yesterday at a typical South Indian restaurant, where I was having lunch, ghee was offered for the paruppu saadham. I took it. It was the melted, flowing version of the ghee.
"This is not ghee", I thought to myself. The viscosity was simply not there. It flowed like water or oil. I have been a NeiPriyan throughout, not so much for the sweets, but with food - YES, especially rice! Ghee is one of the most inviting savouries that has been discovered that can add intense flavour to the charismatic white rice.
Ghee is to be preserved in its semi-solid state for serving with rice. The definition of semi-solid needs clarification. Typically, it's the state between the fridge-frozen to the free flowing summer version. At room temperature, during summer, the consistency is ideal. While the frigid version is good to heat on a cheenchatti/vaanali to make a pongal or a payasam, it's no good to be served with steaming rice. The point being, it kills the mood to have to wait for it to melt and mix with the rice. Analogous to this is the case of trying to splosh frigid butter on the mildly toasted bread slice. On a hurried morning trying to gobble whatever you get at hand, when the butter refuses to co-operate, the frustration only compounds. There is no time to heat. Bad still, you don't like the taste of it when heated because it cooks into a ghee-ish taste. Alas! Only if I had decided early morning that bread-butter-jam was going to stave off my fast that morning and having finalised it, I had kept the butter out for it to cool down outside the fridge(oxymoronic?)
But things don't work out the way especially during its-getting-late mornings. Coming out of the analogy, the most relishing way to begin the lunch course, is
Plain steamed rice + Ghee (semi-solid, ablity to melt on rice) + boiled paruppu.
It should be mentioned that the viscosity of nei matters much here because, after this serving what follows is the ritual of cupping the palm and receiving the ghee and lickin' away. And that's not possible with the free flowing version.
The ideally ghee suited, to be mixed with items are
1. Sambhar - For arachu vutta sambhar, it adds to the already smoking hot manam & gunam. For podi potta sambhar, its ability to elevate the taste reaches the pinnacle. But for the ghee with it, I would have disliked podi pota sambhar to the core.
2. Rasam - The combination is good not great.
3. Morkootan and Vethakozhambu - Average to medium
For some reason though, ghee doesn't go well with Molagootal that makes me wonder why so....
Wooh! Too much for this signal now. I continued towards Richmond with another interesting topic in the pipeline.......
Sunday, January 18, 2009
A temple has to be a temple
After a long enough stay to warrant the title of an insider in bangalore, one thing(among many) missing was a visit to the famous ISKCON temple. Situated, comfortably in the old locales of bengaluru, it was a whole task getting there from the outer reaches of the city. A pre-paid auto ride that claimed much more than the normal avaricious auto driver was a surprise.
ISKCON temple was gleaming with gold literally. A markedly different construction from the usual south Indian temple styles was noticeable. They followed a nice crowd management tactic where the people waiting in the queue needed to proceed along a path laid with tiles each projected form the floor which could contain only two feet at a time. And the norm was to stay in that square for a whole "(Hare Rama)(3)Hare Hare. (Hare Krishna)(3)Hare Hare" that was being played. There were people who were devotedly following this while others really wanted the crowd to move quickly.
The idols of gods and goddesses in gold showed richness. This was in the main hall that housed the shrines of Radhe-Krishna. The exit route from there till the gate was painstaking. All of them had to mandatorily go through series and multiple floors of books, photos, photo frames, jewellery. Get this over with and you see another section with an absolutely wide array of sweets and savories - jamuns, rasmalai,rasgulla and what not. And on the top of it all, the actual FREE prasadham was being served after all this. In between all this there were bursts of pop-corn, ice cream, fizzy drink stalls.
A theatre multiplex inside a temple? Hmmm...it did seem that way. People licking away snacks after visiting the deity doesn't constitute a good spiritual experience. The beauty of Indian temples lies in the divine presence that you feel inside the huge walls once you are under the gopuram. Sadly, it could not be experienced in here for reasons mentioned above.
Leave temples and devotees alone. Business and temple sanctum need not be mixed. They don't jell. That was the feeling as I came out.
ISKCON temple was gleaming with gold literally. A markedly different construction from the usual south Indian temple styles was noticeable. They followed a nice crowd management tactic where the people waiting in the queue needed to proceed along a path laid with tiles each projected form the floor which could contain only two feet at a time. And the norm was to stay in that square for a whole "(Hare Rama)(3)Hare Hare. (Hare Krishna)(3)Hare Hare" that was being played. There were people who were devotedly following this while others really wanted the crowd to move quickly.
The idols of gods and goddesses in gold showed richness. This was in the main hall that housed the shrines of Radhe-Krishna. The exit route from there till the gate was painstaking. All of them had to mandatorily go through series and multiple floors of books, photos, photo frames, jewellery. Get this over with and you see another section with an absolutely wide array of sweets and savories - jamuns, rasmalai,rasgulla and what not. And on the top of it all, the actual FREE prasadham was being served after all this. In between all this there were bursts of pop-corn, ice cream, fizzy drink stalls.
A theatre multiplex inside a temple? Hmmm...it did seem that way. People licking away snacks after visiting the deity doesn't constitute a good spiritual experience. The beauty of Indian temples lies in the divine presence that you feel inside the huge walls once you are under the gopuram. Sadly, it could not be experienced in here for reasons mentioned above.
Leave temples and devotees alone. Business and temple sanctum need not be mixed. They don't jell. That was the feeling as I came out.
Thursday, November 27, 2008
Horror!
It was gripping to see pictures of hotels, streets, railway stations in a state of mayhem. Terrorists have intruded very comfortably these days. It's clear. Anyone of us is a potential terror target in our country these days. It stuns me when I think about the mind setup of the terrorists who decide to bomb people whom they don't even know and who are not even remotely related to the supposed cause they are fighting for. What do they really want? Nobody can tell. But they, for sure are creating big inroads in the society.
Entering railway stations armed with Ak-47 and shooting people as they like is a very sorry state of affairs in the country. Innocent people, people who had no idea what would befall upon them the next minute are getting horrendously inflicted with pain and death.
I am speechless literally. This year has been on top of the disaster chart in terms of terror attacks and all big talk from the government after each and every attack is highly unconvincing. It's is not possible to exterminate terror attacks at all places. But some action from the government is necessary.
In the end, all the lost lives hurt.
Entering railway stations armed with Ak-47 and shooting people as they like is a very sorry state of affairs in the country. Innocent people, people who had no idea what would befall upon them the next minute are getting horrendously inflicted with pain and death.
I am speechless literally. This year has been on top of the disaster chart in terms of terror attacks and all big talk from the government after each and every attack is highly unconvincing. It's is not possible to exterminate terror attacks at all places. But some action from the government is necessary.
In the end, all the lost lives hurt.
Wednesday, November 26, 2008
A thousand elephants and not a thousand colors
Voila!
Just in my previous post, I had mentioned that Harris needs to come out of the Karaharapriya, Natabhairavi closet. And I see traces of Charukeshi in the charanam of "Ava Enna..." (Vaaranam AAyiram), Karthik in the vocals. Nice to hear him sing a beautiful song after a pretty decent gap in tamil. The song is kind of a sequel to Minnale's "Venmathiye...", the feel being the same. The interesting thing about the song is that, it is expected to be set for the dappankuthu genre when it opens. But Harris rarely gives you an outright dappankuthu. There is always a feel of a class in his songs, purely because of his chord exploits.
Since the Minnale and Majnu days, Harris has proved to be an outright melodist. At present, I think he is the king of melodies in tamil movies. Even otherwise, Harris doesnt experiment much with the range of his songs. The experimentation that he does is primarily on ways to innovate his own numbers!
As expected, all songs are good in VA. My favorites are Ava enna, Anal Mele, Adiye Kolluthey. The rest remind you of a Oru Maalai, Mudhal naal Indru- his earlier hit compositions. Anal Mele is no different from Munbe Va, Vassegara or Enadhuyire. It's Natabhairavi alright! But I primarily like the song since I happened to hear and see it the first time while watching the movie. You can call this song as one of the most fitting and relevant numbers to the feel of the movie. So even though the tune is a rehash, Sudha along with the picturisation of the song have had a good influence on me. A kind of song that you would want to listen to reclining on a cushion sofa with your headphones on a late night sojourn.
And on a subject totally unrelated, I coined this saying today morning - felt good about it.
"For today's middle class, luxury is a mundane affair and the ordinary is an elusive retreat"
Just in my previous post, I had mentioned that Harris needs to come out of the Karaharapriya, Natabhairavi closet. And I see traces of Charukeshi in the charanam of "Ava Enna..." (Vaaranam AAyiram), Karthik in the vocals. Nice to hear him sing a beautiful song after a pretty decent gap in tamil. The song is kind of a sequel to Minnale's "Venmathiye...", the feel being the same. The interesting thing about the song is that, it is expected to be set for the dappankuthu genre when it opens. But Harris rarely gives you an outright dappankuthu. There is always a feel of a class in his songs, purely because of his chord exploits.
Since the Minnale and Majnu days, Harris has proved to be an outright melodist. At present, I think he is the king of melodies in tamil movies. Even otherwise, Harris doesnt experiment much with the range of his songs. The experimentation that he does is primarily on ways to innovate his own numbers!
As expected, all songs are good in VA. My favorites are Ava enna, Anal Mele, Adiye Kolluthey. The rest remind you of a Oru Maalai, Mudhal naal Indru- his earlier hit compositions. Anal Mele is no different from Munbe Va, Vassegara or Enadhuyire. It's Natabhairavi alright! But I primarily like the song since I happened to hear and see it the first time while watching the movie. You can call this song as one of the most fitting and relevant numbers to the feel of the movie. So even though the tune is a rehash, Sudha along with the picturisation of the song have had a good influence on me. A kind of song that you would want to listen to reclining on a cushion sofa with your headphones on a late night sojourn.
And on a subject totally unrelated, I coined this saying today morning - felt good about it.
"For today's middle class, luxury is a mundane affair and the ordinary is an elusive retreat"
Monday, November 3, 2008
Harris! Please leave Karaharapriya alone
Mr. Harris Jayaraj! This is a sincere request from me to leave Karaharapriya and her cousin Natabhairavi alone for sometime. You have other zillions of swaram combinations to explore. Agreed that you have given us wonderful melodies using these 2 ragams. But it's time to move on sir. Its been too much of late. And you are trying to make the same note sound different each time using different rhythm patterns and some interesting interludes. But, yeah, after a point, it has become so repetitive that I might lose interest. You are capable of giving us great songs. So, next time let us not hear the same set of swarams set to different beats. My petition is that since you are the sole melody king in the tamil film world now, please provide some quality music to live up to your name.
Some suggestions:
- The Bombay Jayashree-adi thondai-natabhairavi genre could be put to rest for sometime
- Explore swara patterns other than SR2PM1R2S, R2PM1G2R2S, M1PN2PM1R2S (surfeited karaharapriya and janyas)
- Try something in a Prathi Madhyama ragam. I think, the only prathi madhyamam that I have heard is your "Mudhar Kanave", that too only as a baashanga in Natabhairavi, your favorite.
- Retain the melodious interludes but again, in different ragams.
- Compose something in Sindhu Bhairavi, Mayamalavagowla, keeravaani, charukeshi. Expand your repertoire.
- How come you have not composed anything in Hindolam, Mohanam or a Kalyani(atleast to my recollection). These are music director's all time favorites. I want to hear your techno blend with ragams like these.
Sincerely
Manojh
Some suggestions:
- The Bombay Jayashree-adi thondai-natabhairavi genre could be put to rest for sometime
- Explore swara patterns other than SR2PM1R2S, R2PM1G2R2S, M1PN2PM1R2S (surfeited karaharapriya and janyas)
- Try something in a Prathi Madhyama ragam. I think, the only prathi madhyamam that I have heard is your "Mudhar Kanave", that too only as a baashanga in Natabhairavi, your favorite.
- Retain the melodious interludes but again, in different ragams.
- Compose something in Sindhu Bhairavi, Mayamalavagowla, keeravaani, charukeshi. Expand your repertoire.
- How come you have not composed anything in Hindolam, Mohanam or a Kalyani(atleast to my recollection). These are music director's all time favorites. I want to hear your techno blend with ragams like these.
Sincerely
Manojh
Wednesday, September 24, 2008
rock on - again
I am coming back to the wonderfully crafted album by SEL - Rock on!
The songs in the album religiously maintain the construction of any typical rock song - i.e. the song has only a pallavi, which is repeated over and over again with distinct lyrics ofcourse, the tune being the same. Typically, there are no charanams. The pallavis are separated by guitar, keyboard interludes. The song gets its variation purely because of the variety in the orchestration employed.
This is something new that we haven't seen in Indian film songs. Infact,here, all songs fit the above description. Having said that, is there variety that is in offer?
Yeah. Sure.
'Socha Hai' is a wonderfully paced, would-make-you-dance song. I especially like the song's lyrics and the way Farhaan has sung it. He seems to ease through the song with a natural flair. Also, I feel this song is more peppier than 'Rock on', the title song. The two probably could have interchanged their places.
'Rock on', again by Farhaan is pretty good throughout. But a defnite zing is missing here when compared with Socha Hai.
'Ye Tumhari Meri', sung by Dominique Cerejo is easily the pick among the slow songs. The whole song has the chord Ri-Pa-Ma-Ri-Sa-Ri-Ma-Pa(all major notes) consistently flowing through. Again, the keyboard, guitar's prowess come to the fore. Accompanied by a wonderful voice, this song has already made me addictive.
'Pichle Saath Dinon' is easily bolstered by the electric guitar and Farhaan. The song's, 'Kaise Boloon...' phrase is very catchy, departing from the rock feel of the overall song.
'Tum Ho Toh', is good for its interludes(esp. the ones with the organ), not so much for the voice as Farhaan lack of proper training shows. Nevertheless, yet another good song.
The freshness in this album is probably comparable to DCH, RDB. No wonder they were chartbusters. Music of a movie reflects the thought process of the director and his penchant for the kind of songs he wants to have. The best of songs seem to come inextricably from the best of the movies. No wonder then, the director has a major role to play in the selection of songs that a music composer offers.
The songs in the album religiously maintain the construction of any typical rock song - i.e. the song has only a pallavi, which is repeated over and over again with distinct lyrics ofcourse, the tune being the same. Typically, there are no charanams. The pallavis are separated by guitar, keyboard interludes. The song gets its variation purely because of the variety in the orchestration employed.
This is something new that we haven't seen in Indian film songs. Infact,here, all songs fit the above description. Having said that, is there variety that is in offer?
Yeah. Sure.
'Socha Hai' is a wonderfully paced, would-make-you-dance song. I especially like the song's lyrics and the way Farhaan has sung it. He seems to ease through the song with a natural flair. Also, I feel this song is more peppier than 'Rock on', the title song. The two probably could have interchanged their places.
'Rock on', again by Farhaan is pretty good throughout. But a defnite zing is missing here when compared with Socha Hai.
'Ye Tumhari Meri', sung by Dominique Cerejo is easily the pick among the slow songs. The whole song has the chord Ri-Pa-Ma-Ri-Sa-Ri-Ma-Pa(all major notes) consistently flowing through. Again, the keyboard, guitar's prowess come to the fore. Accompanied by a wonderful voice, this song has already made me addictive.
'Pichle Saath Dinon' is easily bolstered by the electric guitar and Farhaan. The song's, 'Kaise Boloon...' phrase is very catchy, departing from the rock feel of the overall song.
'Tum Ho Toh', is good for its interludes(esp. the ones with the organ), not so much for the voice as Farhaan lack of proper training shows. Nevertheless, yet another good song.
The freshness in this album is probably comparable to DCH, RDB. No wonder they were chartbusters. Music of a movie reflects the thought process of the director and his penchant for the kind of songs he wants to have. The best of songs seem to come inextricably from the best of the movies. No wonder then, the director has a major role to play in the selection of songs that a music composer offers.
Monday, September 8, 2008
Rock on!! - The album does
Hindi film music has probably not, until now, been accustomed to this genre. The genre is rock and if you thought it was a misfit in our cinemas, this album might make you rethink. No music director has dared to explore this variety of music to my recollection. Shankar-Ehsaan-Loy and Farhaan have given us some magical music in their previous unions. Farhaan was a director then. Here he is the prime propagator of the trio's music being the lead singer of the rock band. I always feel the best director would bring out the best of a good music director. Farhaan and SEL are no doubt one of the best combos that we have seen.
Its not the screaming, stentorian vocals or the blazing guitars of the rock rich western world that you hear in this album. This is the "desi" version of the Rock Music, with a feel fresh flavour to it. The album comes alive purely because of the instrumental arrangements, a novel orchestration compared to the mundane music that are dished out often in our films. Now, you can't classify an album as pure Rock if it has a couple of really good melodious numbers with minimal screeching and drums.
The album is fresh with Farhaan as a fresh singer and a host of other new names . All of them prove to an extent that they are novices and yet their singing shows experience. Except 'Zehreley', there is nothing "rocky" about any the numbers. Farhan has sung most of them. With a voice resembling Lucky Ali a touch, he actually eases through the fast paced numbers. He needs to work more on the slow numbers though.
On hearing the songs, I was transported to my college days where we used to have cultural festivals with independent rock bands performing on stage. Many used to display loads of attitude, the lack of commensurate content only too obvious. If this band had turned up then, I am sure they would have won the competition hands down.
I didn't end up disappointed the first time I heard the album because I already knew what to expect from a movie which has rock music as its soul. Any music album isn't first time impressive these days and the same applies here. This album has grown on me over the past week after repeated hearings. I can't seem to not hum the songs.
The irony is that the film is about an incipient band though the music is a far cry from being amateurish. After a couple of recent albums from Harris Jayaraj disppointing me, this one has managed to persist and from the looks of it, atleast for a few weeks from now, it will.
Rock on!!
Its not the screaming, stentorian vocals or the blazing guitars of the rock rich western world that you hear in this album. This is the "desi" version of the Rock Music, with a feel fresh flavour to it. The album comes alive purely because of the instrumental arrangements, a novel orchestration compared to the mundane music that are dished out often in our films. Now, you can't classify an album as pure Rock if it has a couple of really good melodious numbers with minimal screeching and drums.
The album is fresh with Farhaan as a fresh singer and a host of other new names . All of them prove to an extent that they are novices and yet their singing shows experience. Except 'Zehreley', there is nothing "rocky" about any the numbers. Farhan has sung most of them. With a voice resembling Lucky Ali a touch, he actually eases through the fast paced numbers. He needs to work more on the slow numbers though.
On hearing the songs, I was transported to my college days where we used to have cultural festivals with independent rock bands performing on stage. Many used to display loads of attitude, the lack of commensurate content only too obvious. If this band had turned up then, I am sure they would have won the competition hands down.
I didn't end up disappointed the first time I heard the album because I already knew what to expect from a movie which has rock music as its soul. Any music album isn't first time impressive these days and the same applies here. This album has grown on me over the past week after repeated hearings. I can't seem to not hum the songs.
The irony is that the film is about an incipient band though the music is a far cry from being amateurish. After a couple of recent albums from Harris Jayaraj disppointing me, this one has managed to persist and from the looks of it, atleast for a few weeks from now, it will.
Rock on!!
Monday, August 11, 2008
Sweet..Sweet!!
And so...it happens!
The elusive 'GOLD' is here finally. Though I am not a big fan of the Olympics nor am I following it, this very piece of news has got me highly excited. It remains to be seen though how this will CHANGE the face of the Indian indifferent attitude to sports in general except ofcourse cricket. Will this encourage people to take up sports as a career? Will the various state governments and the Centre care enough to promote sport as a profession?
Questions remain...Nevertheless, Abhinav Bindra has made us proud today!
The elusive 'GOLD' is here finally. Though I am not a big fan of the Olympics nor am I following it, this very piece of news has got me highly excited. It remains to be seen though how this will CHANGE the face of the Indian indifferent attitude to sports in general except ofcourse cricket. Will this encourage people to take up sports as a career? Will the various state governments and the Centre care enough to promote sport as a profession?
Questions remain...Nevertheless, Abhinav Bindra has made us proud today!
Thursday, November 29, 2007
The Board's ways
What the...!! Is HE going to coach the Indian team? What background does he have as a coach? What do the board think they are doing?........The list of questions goes on....
To add to the sorry state of affairs to the already defamed cricket board of India..oops..the Board of 'Control' for Cricket in India, the new suggestion(almost confirmation) of Gary Kirsten as India's coach is nothing but a waiting disaster. To top it all, the Board prides itself that the selection was 'unanimous' by none other than the esteemed gentlemen who have served Indian cricket all these years, the likes of Shastri, Gavaskar and Venkatraghavan. What a pity! Men who have contributed immensely to the game lacking vision and succumbing to the board's pressure. How else could the theory of selecting a national coach who is little known in the field of coaching be explained? What is more baffling is their series of choices for coaches, Greg Chappell, Graham ("who") Ford and Gary Kirsten, the last one being the worst of the lot. But to be fair to Chappell, I feel his methods weren't acceptable to the players. He tried to bring about the Aussie-way, a compelling routine, which unfortunately found no favour with the Indians. It was clearly a case of misfit of his coaching methods in the Indian system.
But it does look like the Board doesn't have respect for our own Lalchand Rajput, Robin Singh and Venkatesh Prasad. They took over during tough times and have done a fair job. The Indian team has been doing appreciably well too without any coaches, Indian or foreign. Why then, all of a sudden this idiotic decision to bring about a foreign coach with absolutely no coaching experience?
Gary Kirsten…. What does the board achieve by signing up a coach to whom a player can't even look up to? What great credentials does Gary Kirsten have, to command respect from the Indian players? Kirsten as far as I have seen him play was one of the most boring players. There was no grace nor elegance associated with his game. Moreover, the fact that the he hadn't even applied for the post but got a call for it smacks of any sense of professionalism from the board. Adding to this are the remarks of surprise from Kirsten himself on his selection. There is no point in inviting a coach who doesn’t have the required motivation for the post.
I hope Harsha Bhogle, during the India-Aussie series down under shoots these questions to both his commentary box comrades. The outspoken host, one of my favourites, will earn my respect even more if he can manage to ask the two gentlemen regarding this decision of theirs.
The board has been a subject of constant criticism from ex-cricketers, the media and the public for quite sometime now. Despite the Greg Chappell fiasco, the decision of the board still wanting to get a foreign coach is incomprehensible. How many deserving Indian former cricketers have been overlooked for the post is a matter of concern. The 'Control' that the board is trying to exert is too obvious. A 3000 crore money making behemoth under the firm control of politicians is a well known story. Banning the chief of selectors to write columns, barring players playing in a 'rebel' league to play for India, countering the rebel league with its own, double standards in selection processes, exerting control over players' activities ... a sample of the board's recent activities. The going seems to be nowhere. Improving the cricket scenario looks like the last priority on the board's to do list. What I recommend are the following steps for the sake of Indian cricket
1. The government should step in and confiscate the assets of the board. A sizeable chunk of it should go to the PM's relief fund and the minimum that's required to run the board's activities must be allocated to it. All the money sitting snuggly with the board members can be put to much better use. The wealth amassed by the Board only because of the players and the sponsors. Without spending for the game's improvement, they are making no good use of the money other than filling up their already huge bellies.
2. Politicians should be debarred from holding any post within the board. The current set up should be completely dissolved and the members be elected afresh.
3. A managing committee comprising senior, respectable players should be formed who will manage the Indian cricket board.
Whoever is overseeing the working of the Board should be committed to the cause of improving cricket. With a billion people, the world's richest cricketing body and the unmatched passion for the game, its only LOGICAL that we will DEFINTELY find ONLY ELEVEN real quality players out of the billion odd who will be consistent world-beaters. I think this is a very valid argument. Somebody, please listen and act.
To add to the sorry state of affairs to the already defamed cricket board of India..oops..the Board of 'Control' for Cricket in India, the new suggestion(almost confirmation) of Gary Kirsten as India's coach is nothing but a waiting disaster. To top it all, the Board prides itself that the selection was 'unanimous' by none other than the esteemed gentlemen who have served Indian cricket all these years, the likes of Shastri, Gavaskar and Venkatraghavan. What a pity! Men who have contributed immensely to the game lacking vision and succumbing to the board's pressure. How else could the theory of selecting a national coach who is little known in the field of coaching be explained? What is more baffling is their series of choices for coaches, Greg Chappell, Graham ("who") Ford and Gary Kirsten, the last one being the worst of the lot. But to be fair to Chappell, I feel his methods weren't acceptable to the players. He tried to bring about the Aussie-way, a compelling routine, which unfortunately found no favour with the Indians. It was clearly a case of misfit of his coaching methods in the Indian system.
But it does look like the Board doesn't have respect for our own Lalchand Rajput, Robin Singh and Venkatesh Prasad. They took over during tough times and have done a fair job. The Indian team has been doing appreciably well too without any coaches, Indian or foreign. Why then, all of a sudden this idiotic decision to bring about a foreign coach with absolutely no coaching experience?
Gary Kirsten…. What does the board achieve by signing up a coach to whom a player can't even look up to? What great credentials does Gary Kirsten have, to command respect from the Indian players? Kirsten as far as I have seen him play was one of the most boring players. There was no grace nor elegance associated with his game. Moreover, the fact that the he hadn't even applied for the post but got a call for it smacks of any sense of professionalism from the board. Adding to this are the remarks of surprise from Kirsten himself on his selection. There is no point in inviting a coach who doesn’t have the required motivation for the post.
I hope Harsha Bhogle, during the India-Aussie series down under shoots these questions to both his commentary box comrades. The outspoken host, one of my favourites, will earn my respect even more if he can manage to ask the two gentlemen regarding this decision of theirs.
The board has been a subject of constant criticism from ex-cricketers, the media and the public for quite sometime now. Despite the Greg Chappell fiasco, the decision of the board still wanting to get a foreign coach is incomprehensible. How many deserving Indian former cricketers have been overlooked for the post is a matter of concern. The 'Control' that the board is trying to exert is too obvious. A 3000 crore money making behemoth under the firm control of politicians is a well known story. Banning the chief of selectors to write columns, barring players playing in a 'rebel' league to play for India, countering the rebel league with its own, double standards in selection processes, exerting control over players' activities ... a sample of the board's recent activities. The going seems to be nowhere. Improving the cricket scenario looks like the last priority on the board's to do list. What I recommend are the following steps for the sake of Indian cricket
1. The government should step in and confiscate the assets of the board. A sizeable chunk of it should go to the PM's relief fund and the minimum that's required to run the board's activities must be allocated to it. All the money sitting snuggly with the board members can be put to much better use. The wealth amassed by the Board only because of the players and the sponsors. Without spending for the game's improvement, they are making no good use of the money other than filling up their already huge bellies.
2. Politicians should be debarred from holding any post within the board. The current set up should be completely dissolved and the members be elected afresh.
3. A managing committee comprising senior, respectable players should be formed who will manage the Indian cricket board.
Whoever is overseeing the working of the Board should be committed to the cause of improving cricket. With a billion people, the world's richest cricketing body and the unmatched passion for the game, its only LOGICAL that we will DEFINTELY find ONLY ELEVEN real quality players out of the billion odd who will be consistent world-beaters. I think this is a very valid argument. Somebody, please listen and act.
Monday, November 26, 2007
ATM music review
My first reaction on hearing that ARR is the composer for a Vijay movie was "Ohh No! So, only dappankuthus from ARR?". Thankfully, I was proved wrong. There is a distinct flavour associated with the music of ATM. Rahman seems to be in the mood for folkish tunes these days. His recent 'Kummi Adi' from 'Jillunu..' is an example. Over the years we haven't seen too many of these from ARR. Probably because the subject didn't provide him with that scope. The previous ones that comes to my mind are 'Maanoothu Mandayile' and 'Aathankarai Marame'. That was way long back. But coming to the music of ATM, ARR seems to have found the right blend of the modern and the rustic. With 'Sivaji', I was a touch disappointed simply because, it had a bit of overdose of the western. But over here, he pleases with catchy, fast paced and melodious numbers.
Note: This review comes after considerable hearing from me exclusively on head/ear phones. I would advise the same to enjoy the songs.
'Maduraiku' is set to the typical 'Danda Nakka Danakku Nakka' style of folk music. And when you have Rahman handling an ordinary rhythm, you are sure to expect something special in it. The tavil and the nadaswaram have been appreciably used. The 'Karpoora Kannigaye Varaai' chorus is the highlight of the song for me. Especially, the part of the chorus where 'Maharajane....' is sung - simply awesome, wonderful brigha. The male and female voices have done a fabulous job. Throughout the song, Rahman gives a different dimension with an instrumental background which ably supports the vocals.
'Kelamal...' is different from the very beginning. Well, this song can be tagged as the only authentic melody in the album. Set to a fast paced rhythm, the song touches the realms of a remix number because of its beats and the lyrics seem to vindicate that claim too
'Kettu rasitha padal ondrai meendum indru nyabagam thoonda....' ;)
I was actually surprised to see Sriram Parthasarathy used by Rahman in this song because the sangathis in this song aren't 'out of the world' and a singer of
his calibre is definitely capable of giving us more. A distinct melody from ARR.
When you hear 'Valayapatti' for the first time, it makes you wonder how on earth did ARR manage to make a song out of this 'aviyal'. It has many distinct interludes and tunes that are unrelated. A folkish number again, this one has many classical overtones. Rahman manages to get through with quite a number of ragams here Sindhubhairavi, Neelambari, Bhagyashree, Saraswati, Behaag giving glimpses of all of them. Overall, the song really impresses after you hear it twice or thrice and being a carnatic lover, I enjoyed the 'swara kattus' very much. The female playback is quite impressive. The song scores because of its packaging
'Ponmagal Vandhal' - remix of the old popular number infact pleased me more than the original. This may offend some of the purists but somehow I was not a big fan of the original but after this version, I am definitely humming it. The rap lyrics in the song is humourous. The lines where TMS's voice has been retained are really good especially with the technological expertise at the background. A creditable re-mix.
'Ellapugazhum' takes off like lightning from the begininng with some heavy electric guitar usage. ARR oflate has used the same tunes for the intro-songs in his movies. The song strikes a resemblance to the opening numbers of 'Anbe Aaruyire' and 'Sivaji'. The highlight of the song though is ARR's voice and the lead guitar chords. He has the knack of picking up the songs that suit his style of singing. The electric guitar used in the song is inspiring and so are the song's lyrics. A good opening number.
'Nee Merlyn..' is a song for the Gen-X. The song oozes with loads of attitute and is promptly backed by guitar chords and drums. Add to it some youthful lyrics and voices, you get a perfect recipe that the urban audience can identify themselves with.
Overall, I am happy with this album because Rahman has tried something different. Considering the fact that this is a Vijay movie, the music transcends all limits of ordinary music that we usually hear in his movies. Moreover, the way he has handled it knowing what people expect from a Vijay movie is quite impressive.
My rating: 4.2 / 5
Note: This review comes after considerable hearing from me exclusively on head/ear phones. I would advise the same to enjoy the songs.
'Maduraiku' is set to the typical 'Danda Nakka Danakku Nakka' style of folk music. And when you have Rahman handling an ordinary rhythm, you are sure to expect something special in it. The tavil and the nadaswaram have been appreciably used. The 'Karpoora Kannigaye Varaai' chorus is the highlight of the song for me. Especially, the part of the chorus where 'Maharajane....' is sung - simply awesome, wonderful brigha. The male and female voices have done a fabulous job. Throughout the song, Rahman gives a different dimension with an instrumental background which ably supports the vocals.
'Kelamal...' is different from the very beginning. Well, this song can be tagged as the only authentic melody in the album. Set to a fast paced rhythm, the song touches the realms of a remix number because of its beats and the lyrics seem to vindicate that claim too
'Kettu rasitha padal ondrai meendum indru nyabagam thoonda....' ;)
I was actually surprised to see Sriram Parthasarathy used by Rahman in this song because the sangathis in this song aren't 'out of the world' and a singer of
his calibre is definitely capable of giving us more. A distinct melody from ARR.
When you hear 'Valayapatti' for the first time, it makes you wonder how on earth did ARR manage to make a song out of this 'aviyal'. It has many distinct interludes and tunes that are unrelated. A folkish number again, this one has many classical overtones. Rahman manages to get through with quite a number of ragams here Sindhubhairavi, Neelambari, Bhagyashree, Saraswati, Behaag giving glimpses of all of them. Overall, the song really impresses after you hear it twice or thrice and being a carnatic lover, I enjoyed the 'swara kattus' very much. The female playback is quite impressive. The song scores because of its packaging
'Ponmagal Vandhal' - remix of the old popular number infact pleased me more than the original. This may offend some of the purists but somehow I was not a big fan of the original but after this version, I am definitely humming it. The rap lyrics in the song is humourous. The lines where TMS's voice has been retained are really good especially with the technological expertise at the background. A creditable re-mix.
'Ellapugazhum' takes off like lightning from the begininng with some heavy electric guitar usage. ARR oflate has used the same tunes for the intro-songs in his movies. The song strikes a resemblance to the opening numbers of 'Anbe Aaruyire' and 'Sivaji'. The highlight of the song though is ARR's voice and the lead guitar chords. He has the knack of picking up the songs that suit his style of singing. The electric guitar used in the song is inspiring and so are the song's lyrics. A good opening number.
'Nee Merlyn..' is a song for the Gen-X. The song oozes with loads of attitute and is promptly backed by guitar chords and drums. Add to it some youthful lyrics and voices, you get a perfect recipe that the urban audience can identify themselves with.
Overall, I am happy with this album because Rahman has tried something different. Considering the fact that this is a Vijay movie, the music transcends all limits of ordinary music that we usually hear in his movies. Moreover, the way he has handled it knowing what people expect from a Vijay movie is quite impressive.
My rating: 4.2 / 5
Friday, September 28, 2007
To F.R.I.E.N.D.S - Part 1
Warning...This post is purely for FRIENDS buffs and all time addicts to the show.
In one of my previous posts, I had briefly mentioned about the series - FRIENDS. Here is my ode to that wonderful series.
FRIENDS - the most popular among sitcoms, aired for ten years(seasons) from 1994 to 2004 on CNBC in the States. I was initially averse to the idea of such a TV series as my supposed belief was that the "laughing audience" that accompanied the jokes were a hindrance to smooth viewing and that they were more of a make-believe mechanism to induce people into thinking that the joke was funny when actually it wasn't!!
Yet, it was during the December holidays of my third year in college that I watched the first ever episode of FRIENDS on Starworld late in the night. I remember that it was one from the last season, just to have a glimpse of how good/bad the show actually was. My hostel wing in my college was a constant hub for FRIENDS viewing. And that induced me to watch the show for the first time. With our hostel rooms being LAN-equipped, we had no better businees to do than to download movies and play LAN games. FRIENDS had always been there on the LAN. Within no time, I had all the ten seasons on my hard-disk once I got back to campus that January.
It's been nearly two years now. Woah! Never did I think that I would get so addicted to the show. Joey, Phoebe, Chandler, Monica, Ross, Rachel - the six of them, unique in their own ways, have left an impression that probably no other contemporary characters on TV have.
First and foremost, the jokes. Each one of them is unique and authentic conforming to the highest standards. The best part is that almost all of them would make you laugh. There are few ones that would cause your face to contort. The script and dialogue writers have delivered in all the episodes with their skilled witticism, manifestation of really good humour, unlike the crass,cheap and slapstick ones that we get to see usually from many other comic capers.
Second come the actors. What a choice! All of them fit into their roles with elan. An ensemble of some of the finest actors, the fact that their careers never 'took off' even after this series tells how difficult people found to place them in other roles having seen them in FRIENDS. People couldn't just see them differently. They just didn't fit in!
Another amazing aspect is the characterisation of the lead players. They are not only distinct but also non-overlapping and their very nature has been maintained throughout the ten seasons. Joey with his innocence and profound stupidity, Phoebe with her assertive unconventional ways, Chandler and his outright sarcastic self, domineering Monica with her "Live by the Rules" obsession , Ross with his myriad expressive emotions revolving around his relationship conundrums and Rachel with her whiny, girlish self - characteristics of the six protagonists in a nutshell, the setting and the story revolve around them throughout the ten seasons.
For a beginner, the ideal way to kick start would be with season one and to progress along the timeline. The season takes you through one heck of a laughing spree as you get used to the humour(the accent and tone - so important to understand the context of a joke) and the characterisations. Chandler easily scores over the rest with his satirical lines, mocking every other in the group. "Ohh! Sorry Ross! I was very drunk and was in someone else's sub-conscious", "Yes! Around 200 others whom I went to high school with"...(to be continued)
In one of my previous posts, I had briefly mentioned about the series - FRIENDS. Here is my ode to that wonderful series.
FRIENDS - the most popular among sitcoms, aired for ten years(seasons) from 1994 to 2004 on CNBC in the States. I was initially averse to the idea of such a TV series as my supposed belief was that the "laughing audience" that accompanied the jokes were a hindrance to smooth viewing and that they were more of a make-believe mechanism to induce people into thinking that the joke was funny when actually it wasn't!!
Yet, it was during the December holidays of my third year in college that I watched the first ever episode of FRIENDS on Starworld late in the night. I remember that it was one from the last season, just to have a glimpse of how good/bad the show actually was. My hostel wing in my college was a constant hub for FRIENDS viewing. And that induced me to watch the show for the first time. With our hostel rooms being LAN-equipped, we had no better businees to do than to download movies and play LAN games. FRIENDS had always been there on the LAN. Within no time, I had all the ten seasons on my hard-disk once I got back to campus that January.
It's been nearly two years now. Woah! Never did I think that I would get so addicted to the show. Joey, Phoebe, Chandler, Monica, Ross, Rachel - the six of them, unique in their own ways, have left an impression that probably no other contemporary characters on TV have.
First and foremost, the jokes. Each one of them is unique and authentic conforming to the highest standards. The best part is that almost all of them would make you laugh. There are few ones that would cause your face to contort. The script and dialogue writers have delivered in all the episodes with their skilled witticism, manifestation of really good humour, unlike the crass,cheap and slapstick ones that we get to see usually from many other comic capers.
Second come the actors. What a choice! All of them fit into their roles with elan. An ensemble of some of the finest actors, the fact that their careers never 'took off' even after this series tells how difficult people found to place them in other roles having seen them in FRIENDS. People couldn't just see them differently. They just didn't fit in!
Another amazing aspect is the characterisation of the lead players. They are not only distinct but also non-overlapping and their very nature has been maintained throughout the ten seasons. Joey with his innocence and profound stupidity, Phoebe with her assertive unconventional ways, Chandler and his outright sarcastic self, domineering Monica with her "Live by the Rules" obsession , Ross with his myriad expressive emotions revolving around his relationship conundrums and Rachel with her whiny, girlish self - characteristics of the six protagonists in a nutshell, the setting and the story revolve around them throughout the ten seasons.
For a beginner, the ideal way to kick start would be with season one and to progress along the timeline. The season takes you through one heck of a laughing spree as you get used to the humour(the accent and tone - so important to understand the context of a joke) and the characterisations. Chandler easily scores over the rest with his satirical lines, mocking every other in the group. "Ohh! Sorry Ross! I was very drunk and was in someone else's sub-conscious", "Yes! Around 200 others whom I went to high school with"...(to be continued)
Friday, June 29, 2007
What sets A R Rahman apart?
The question though intriguing to some has some straight forward answers according to me. We all have been a witness to his music over the past decade and a half. Music that brings the feel from the depths of your heart coupled with technical brilliance.....
Visit my music blog Swara Rasa for the full post.
Visit my music blog Swara Rasa for the full post.
Wednesday, June 27, 2007
The Presidential quagmire
The dust has to some extent settled after all the confusion that prevailed over the election to the highest office in the country. I don't remember any Presidential election subjected to such extreme levels of politicization as we have been witnessing over the past few weeks. Or probably even if they had been, they weren't visible to the people as this one, thanks to the widespread media coverage.
To begin with, the very idea of the incumbent President continuing for the second term was opposed from the start. This was the foundation of the political drama. As I understand, there is no Constitutional provision which bars a current President to sit for a second term. That wasn't an issue even here. The UPA-Left combine simply didn't want to give Dr.Kalam a second term because the previous NDA regime had dismissed claims for a second term to the then president Dr. K.R.Narayanan. This was clear from the fact that even though Dr.Kalam was the most popular President with requests from all quarters to give him a second term, the ruling combine didn't even consider his name in the initial list of candidates. Worse still, the Left parties never ever backed the candidature of Kalam even for the first time. The Congress decided to field some of its "loyalists" to the post which found no favour with the Left. Next came the highly productive move. Pratibha Patil, a staunch Congressee, was termed as the consensus candidate. This announcement brought along with it a barrage of opinions on her candidature. That she isn't a popular leader was mouthed by many while the ruling front heaped praises on her service to the nation. The confusion compounded with the Third Front playing a clever move to support Dr.Kalam. This finally tuned out to be farcical as he never had the numbers to back him with the ruling parties clearly not in his favour. With Kalam initially showing willingness and later backing out, we have managed to drag even his name into the imbroglio. The drama almost coming to an end now, it just remains a fomality for Ms. Pratibha patil to go though the motions before she occupies the chair.
All these turn of events bring out some concerns about the Indian republic set up. Cannot the Presidential election be totally apolitical? Shouldn't the people's opinion be sought on who their President shoud be? Or a more valid concern would be - Does India really need the post of a President as it exists now? This seems valid as the President merely remains a ceremonial head of the country without any powers vested on him. He is supposed to "act according to the advice of the council of ministers", which seems ridiculous in today's context. Their selfish interests shouldn't be served in the garb of the President's acceptance just because he doesn't have a choice.We need to address some issues here.
1. Let the President be elected strictly from a non-political background, a person who is well learned, a scholar who is acceptable to everybody.
2. Increase the powers of the President from a mere puppet in the hands of the Council of Ministers to a mroe pro-active role.
3. Constant monitoring of the legislature should be bought under his purview with even powers to sack MPs if they fail to perform.
4. Allow the people to choose the President by way of a referendum.
This is a tall ask in the Indian context.But given the insignificant nature of of the post, Dr.Kalam brought in some refreshing ways that the President can function and
relieved the post of its dormant nature. He succeeded in reaching out to the people solely because he was above politics and that was enough for the people to accept him and his views. He is by far the most popular President that India has ever had. He remains an inspiration to one and all. It would be interesting to see if Ms.Pratibha Patil can fill in his shoes. Already caught in a couple of controversial statements, there are some tough times awaiting her now that there is bound to be comparison with Dr.Kalam. On the face of it, it does look that she isn't more of the 'reaching out to the people' kind of leader. We will have to wait and watch.
To begin with, the very idea of the incumbent President continuing for the second term was opposed from the start. This was the foundation of the political drama. As I understand, there is no Constitutional provision which bars a current President to sit for a second term. That wasn't an issue even here. The UPA-Left combine simply didn't want to give Dr.Kalam a second term because the previous NDA regime had dismissed claims for a second term to the then president Dr. K.R.Narayanan. This was clear from the fact that even though Dr.Kalam was the most popular President with requests from all quarters to give him a second term, the ruling combine didn't even consider his name in the initial list of candidates. Worse still, the Left parties never ever backed the candidature of Kalam even for the first time. The Congress decided to field some of its "loyalists" to the post which found no favour with the Left. Next came the highly productive move. Pratibha Patil, a staunch Congressee, was termed as the consensus candidate. This announcement brought along with it a barrage of opinions on her candidature. That she isn't a popular leader was mouthed by many while the ruling front heaped praises on her service to the nation. The confusion compounded with the Third Front playing a clever move to support Dr.Kalam. This finally tuned out to be farcical as he never had the numbers to back him with the ruling parties clearly not in his favour. With Kalam initially showing willingness and later backing out, we have managed to drag even his name into the imbroglio. The drama almost coming to an end now, it just remains a fomality for Ms. Pratibha patil to go though the motions before she occupies the chair.
All these turn of events bring out some concerns about the Indian republic set up. Cannot the Presidential election be totally apolitical? Shouldn't the people's opinion be sought on who their President shoud be? Or a more valid concern would be - Does India really need the post of a President as it exists now? This seems valid as the President merely remains a ceremonial head of the country without any powers vested on him. He is supposed to "act according to the advice of the council of ministers", which seems ridiculous in today's context. Their selfish interests shouldn't be served in the garb of the President's acceptance just because he doesn't have a choice.We need to address some issues here.
1. Let the President be elected strictly from a non-political background, a person who is well learned, a scholar who is acceptable to everybody.
2. Increase the powers of the President from a mere puppet in the hands of the Council of Ministers to a mroe pro-active role.
3. Constant monitoring of the legislature should be bought under his purview with even powers to sack MPs if they fail to perform.
4. Allow the people to choose the President by way of a referendum.
This is a tall ask in the Indian context.But given the insignificant nature of of the post, Dr.Kalam brought in some refreshing ways that the President can function and
relieved the post of its dormant nature. He succeeded in reaching out to the people solely because he was above politics and that was enough for the people to accept him and his views. He is by far the most popular President that India has ever had. He remains an inspiration to one and all. It would be interesting to see if Ms.Pratibha Patil can fill in his shoes. Already caught in a couple of controversial statements, there are some tough times awaiting her now that there is bound to be comparison with Dr.Kalam. On the face of it, it does look that she isn't more of the 'reaching out to the people' kind of leader. We will have to wait and watch.
Wednesday, June 20, 2007
Shivaji - Movie Review
You go into a theatre playing a Shankar's movie expecting a good storyline, wonderful acting from the cast, extravagant picturisations, telling action sequences and most importantly, moments of directorial brilliance which he comes up with very often that makes you sit up and take notice. Shivaji manages to capture all minus Shankar's genius, and that's where I feel it is a let down. Shivaji is Rajni all the way. Logic behind the story seems to be the last concern to the director.
Dealing with societal ills has been Shankar's themes in most of his movies. It's no different here. The handling of the story could have been much better. It did seem that Shankar ran out of ideas and so decided to cover them up using the superstar's machoisms and his demi-god image.
Shankar's earlier creations like Gentleman, Indian, Mudhalvan and also Anniyan were in more ways practicable, had many intelligent scenes showcasing reality and means to improve upon the existing situation. Sadly in Shivaji, that’s not to be seen. I am not looking for a very perfect screenplay to steer the movie. But some scenes were lacking fundamental logic.
- Mortaging his house and car for setting up the university that offers free education is a blunder. Where would Shivaji even get the money to run the institution later?
- Beating up auditors and their resulting disclosure of their clients' hidden black money details is ridiculous. If everything can achieved through force, then why not take on the villain directly by force?
- Swindling all the black money form big shots all over India in such a short time. Do police and CBI do any work at all?
- Generating employments for all graduate and post graduate students. Where does he generate employment from? Where will they work?
- Shivaji back as MGR. Settin up driving licenses, passports somewhere from hiding? Gimme a BREAK!!!
- The concept of the hero beating up thugs double in size than him and two dozen in number is nothing new in Indian cinema, but I am not dwelling too much on it here because it's already very cliched.
Shankar has done a commendable job in knitting so many characters together. You have from the Pattimandram fame - Solomon Pappiah and Raja playing their parts. Vivek manages to evoke laughter as does Rajni. The song picturisations take you to the dream world, with outstanding work done on the sets, the songs could have been better from Rahman though. Yet, 'Vaaji vaaji' and 'Sahana' stand out, song wise and also the picturisation.
Rajni giving his best shot at dancing, sporting braided hairstyles, wooing his lady love, dispensing innumerable henchmen - typical Rajni that you get to see. If you are a fan of his, then you cannot ask for more. He carries the film all through. Shriya looks beautiful and has a significant role, a rarity these days for the heroines, which she has done justice to. Rest of the cast have performed well too.
An example of Shankar's touch in the movie was the part where Rajni's laptop has an access control program designed by him which self destructs when someone enters a wrong password. Rajni being a software architect designs this by himself.If only the movie had more such thinking scenes.
My rating - Rajni - pass, Shankar - fail
3.5/5
Dealing with societal ills has been Shankar's themes in most of his movies. It's no different here. The handling of the story could have been much better. It did seem that Shankar ran out of ideas and so decided to cover them up using the superstar's machoisms and his demi-god image.
Shankar's earlier creations like Gentleman, Indian, Mudhalvan and also Anniyan were in more ways practicable, had many intelligent scenes showcasing reality and means to improve upon the existing situation. Sadly in Shivaji, that’s not to be seen. I am not looking for a very perfect screenplay to steer the movie. But some scenes were lacking fundamental logic.
- Mortaging his house and car for setting up the university that offers free education is a blunder. Where would Shivaji even get the money to run the institution later?
- Beating up auditors and their resulting disclosure of their clients' hidden black money details is ridiculous. If everything can achieved through force, then why not take on the villain directly by force?
- Swindling all the black money form big shots all over India in such a short time. Do police and CBI do any work at all?
- Generating employments for all graduate and post graduate students. Where does he generate employment from? Where will they work?
- Shivaji back as MGR. Settin up driving licenses, passports somewhere from hiding? Gimme a BREAK!!!
- The concept of the hero beating up thugs double in size than him and two dozen in number is nothing new in Indian cinema, but I am not dwelling too much on it here because it's already very cliched.
Shankar has done a commendable job in knitting so many characters together. You have from the Pattimandram fame - Solomon Pappiah and Raja playing their parts. Vivek manages to evoke laughter as does Rajni. The song picturisations take you to the dream world, with outstanding work done on the sets, the songs could have been better from Rahman though. Yet, 'Vaaji vaaji' and 'Sahana' stand out, song wise and also the picturisation.
Rajni giving his best shot at dancing, sporting braided hairstyles, wooing his lady love, dispensing innumerable henchmen - typical Rajni that you get to see. If you are a fan of his, then you cannot ask for more. He carries the film all through. Shriya looks beautiful and has a significant role, a rarity these days for the heroines, which she has done justice to. Rest of the cast have performed well too.
An example of Shankar's touch in the movie was the part where Rajni's laptop has an access control program designed by him which self destructs when someone enters a wrong password. Rajni being a software architect designs this by himself.If only the movie had more such thinking scenes.
My rating - Rajni - pass, Shankar - fail
3.5/5
Wednesday, June 13, 2007
Chennai 28 - Review
Among the innumerable number of crass commercial movies that come all through the year, only one or two remain worthwhile to even talk about.Chennai 28 turned out to be a pleasing outing. The film boasts of no great star cast or a great director or the normal masala that tamil movies usually dish out. It clicked for its simplicity, clean approach to story telling, good humour, wonderful charcterisation, pleasing background score and most importantly - the day to day incidents in life, which the movie beautifully captures and makes you a part of. There's laughter in store throughout the length of the movie and at no place do you feel it dragging.
It's cricket that holds the central theme - what can be more exciting than gully cricket. The one which we played during our school days, on the road, the non-spacious grounds, customising rules as we liked. Produced by the doyen playback singer SPB, the film starts with an introduction to the characters by the maestro himself in his evergreen voice. The very beginning has you in splits. Director Venkat Prabhu deserves praise for the way he has handled the group of actors. Though many in number, a few of them make quite a mark in their roles. Notable one is the performance of Premji Amaran. With his satirical mocking of the dialogue "Enna Kodumai Saravanan" from Chandramukhi, the guy provokes laughter everytime he has something to say. Rest of the cast have done well too. The Director's genius is visible in the way he has chosen the cast which requires the typical 'Chennai-youth' looks. He couldn't have done a more satisfying job. The local Chennai dialect also has a good part to play in the Chennai-feel of the movie. By the way, I am not a CHENNAI guy. Having been friends with quite a few number of Chennai ites oflate has acquainted me with the baashai and the appreciation as a result.
Music is by Yuvan. Among the songs, "Jalsa", "Yaaro" are good. Yuvan has taken a leaf out of his father's book in this movie for background music. The scenes filled with humour are appropriately backed up by his score. Some notable scenes in the movie are, the nose-cut that Raghu's father gives Pazhani in his house about his cricket team - Sharks, the bet match on the beach with a group of school kids, the scene where Premji fails to catch the throw of Raghu for which he is scorned at by his friends, the other where he does catch one but off a NO Ball and few others. The climax of the movie was well thought of. Instead of the "last-ball-six-hitting" that the hero usually does, you again face - a dose of reality! Kudos to the climax!
A youthful movie, full of energy and humour, definitely catering to youngsters. Nice to see an enjoyable tamil movie after a long time.
My rating : 4.2/5 - Pure fun
It's cricket that holds the central theme - what can be more exciting than gully cricket. The one which we played during our school days, on the road, the non-spacious grounds, customising rules as we liked. Produced by the doyen playback singer SPB, the film starts with an introduction to the characters by the maestro himself in his evergreen voice. The very beginning has you in splits. Director Venkat Prabhu deserves praise for the way he has handled the group of actors. Though many in number, a few of them make quite a mark in their roles. Notable one is the performance of Premji Amaran. With his satirical mocking of the dialogue "Enna Kodumai Saravanan" from Chandramukhi, the guy provokes laughter everytime he has something to say. Rest of the cast have done well too. The Director's genius is visible in the way he has chosen the cast which requires the typical 'Chennai-youth' looks. He couldn't have done a more satisfying job. The local Chennai dialect also has a good part to play in the Chennai-feel of the movie. By the way, I am not a CHENNAI guy. Having been friends with quite a few number of Chennai ites oflate has acquainted me with the baashai and the appreciation as a result.
Music is by Yuvan. Among the songs, "Jalsa", "Yaaro" are good. Yuvan has taken a leaf out of his father's book in this movie for background music. The scenes filled with humour are appropriately backed up by his score. Some notable scenes in the movie are, the nose-cut that Raghu's father gives Pazhani in his house about his cricket team - Sharks, the bet match on the beach with a group of school kids, the scene where Premji fails to catch the throw of Raghu for which he is scorned at by his friends, the other where he does catch one but off a NO Ball and few others. The climax of the movie was well thought of. Instead of the "last-ball-six-hitting" that the hero usually does, you again face - a dose of reality! Kudos to the climax!
A youthful movie, full of energy and humour, definitely catering to youngsters. Nice to see an enjoyable tamil movie after a long time.
My rating : 4.2/5 - Pure fun
Monday, May 21, 2007
Generally....
It's been a while since I have written something here. Finally, 'busy' seems to have found it's place in my dictionary. I find time now sitting at my office desk as I desperately wait for my test cases to complete on the simulated environment that's been set up which is so very damn slow!! It's BORING!! Nevertheless, after exploring all possible modes of time-pass, chatting, scrapping, wiki-ing, googling, I have decided to write about something that strikes my mind now.
Mayawati...she proved how a well calculated formula of appeasing all sections(read caste) of the society could provide a decisive mandate in this caste driven polity of ours. The BJP with its Hindutva, the Congress with its big-talk of the 'future leader' making controversies all the way failed to make any sort of an impact. It shows one thing. Caste and nothing else always wins elections in India. Even if people talk high of relegating the system from the society which even the politicians speak of, they ultimately resort to the same to secure their votes.
Moral Policing... This term is gaining prominence and is flasing across all newspapers these days. MF Hussain, Gere-Shilpa..the list goes on. One thing which I find is that these issues seem to be of no concern to the middle class man i.e the office going, earning population and because of the leave-no-stone-unturned attitude of the media with the "Breaking news" mania and a a few key players calling themselves the "fundamentalists", the right wing would want to show that they are the custodian of India's heritage(to who's gain is the question). The point is nobody is being benefitted by these course of events. The current trend is to embrace Western culture which the yester generation is finding tough to accept. It's best if we let things settle themselves. Nothing can be pushed aside. It only lead to more fracas.
GRE wordlist is my latest interesting hobby. Learning up new and fancy English words is fun. I am loving it simply because of the challenge it poses. Knowing certain words helps you appreciate some really informative articles that you read on newspaper editorials and the like which employ quite a few of them. And of course to use them in your writings on the blog :)
Ahaa. F.R.I.E.N.D.S. The one and only English sitcom that I have watched, not while it was being aired on TV but much later when it was circulating in my college hostels. What a superb series!! Each and every character has so much depth and each of their characteristics has been maintained throughout the ten seasons. Hats off to Martha Kauffman and David Crane for creating the characters that will remain evergreen. The series is running for the fourth cycle on my laptop. The best passtime that you can get.
PachaiKili Muthucharam was very unlike a usual Tamil movie. It had a Hollywood touch to it. Slow moving, yet worthy. Gautam Menon definitely has proved that he belongs to the special class of film-makers. Some very good picturisation by Arvind Krishna and ofcourse, Harris jayraj, Gautam's trump card once again showed how good he is. A nice, poignant movie that would warn a few husbands to remain loyal to their spouses! :) . Neatly done!
Mayawati...she proved how a well calculated formula of appeasing all sections(read caste) of the society could provide a decisive mandate in this caste driven polity of ours. The BJP with its Hindutva, the Congress with its big-talk of the 'future leader' making controversies all the way failed to make any sort of an impact. It shows one thing. Caste and nothing else always wins elections in India. Even if people talk high of relegating the system from the society which even the politicians speak of, they ultimately resort to the same to secure their votes.
Moral Policing... This term is gaining prominence and is flasing across all newspapers these days. MF Hussain, Gere-Shilpa..the list goes on. One thing which I find is that these issues seem to be of no concern to the middle class man i.e the office going, earning population and because of the leave-no-stone-unturned attitude of the media with the "Breaking news" mania and a a few key players calling themselves the "fundamentalists", the right wing would want to show that they are the custodian of India's heritage(to who's gain is the question). The point is nobody is being benefitted by these course of events. The current trend is to embrace Western culture which the yester generation is finding tough to accept. It's best if we let things settle themselves. Nothing can be pushed aside. It only lead to more fracas.
GRE wordlist is my latest interesting hobby. Learning up new and fancy English words is fun. I am loving it simply because of the challenge it poses. Knowing certain words helps you appreciate some really informative articles that you read on newspaper editorials and the like which employ quite a few of them. And of course to use them in your writings on the blog :)
Ahaa. F.R.I.E.N.D.S. The one and only English sitcom that I have watched, not while it was being aired on TV but much later when it was circulating in my college hostels. What a superb series!! Each and every character has so much depth and each of their characteristics has been maintained throughout the ten seasons. Hats off to Martha Kauffman and David Crane for creating the characters that will remain evergreen. The series is running for the fourth cycle on my laptop. The best passtime that you can get.
PachaiKili Muthucharam was very unlike a usual Tamil movie. It had a Hollywood touch to it. Slow moving, yet worthy. Gautam Menon definitely has proved that he belongs to the special class of film-makers. Some very good picturisation by Arvind Krishna and ofcourse, Harris jayraj, Gautam's trump card once again showed how good he is. A nice, poignant movie that would warn a few husbands to remain loyal to their spouses! :) . Neatly done!
Monday, April 30, 2007
A Reality Check
I couldn't help but smile seeing this cartoon(Courtesy: The Hindu 27th April). It aptly describes today's state of the poor and the petty politics that's being employed by our politicians in the name of uplifting them. Kudos to the cartoonist for bringing out the reality!
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